Abstract Expressionism and Color Choices
I find it curious that artists working in this style or movement rarely discuss topics like complementary colors, discordant tones, or the use of eye-catching hues in their palettes. The focus seems to be entirely on the physicality of the paint—how it splatters, moves, and interacts with the canvas. Beyond the toned canvas itself, it feels like the choice of colors and their layering is often left to chance or instinct rather than intentional theory.
Inspired by this observation, I’m planning to experiment with deliberate color selection using a trusted Amazon tool: Hal Reed's Color Wheel. My favorite pastel artist, Karen Margulis, introduced me to this specific wheel, and it’s been transformative. It’s a bit pricey, but the glowing reviews highlight its value—this isn’t just any color wheel. It provides a clear structure for visualizing harmonious color relationships, including complements, discordant tones, and dynamic "eye-candy" hues that can elevate a painting.
Unlike Jackson Pollock, who often stuck to three colors alongside black and white, I plan to push my palette to five or six colors. These will include the four key colors derived from the color wheel and an additional one or two for dramatic flair. After completing a painting, I’ll allow it to dry overnight and then revisit it with fresh eyes. At this stage, I’ll identify the focal point—a subtle yet deliberate area of emphasis. To achieve this, I’ll add small touches of a lighter half-tone, carefully chosen to interact with the discordant colors. These accents will guide the viewer’s attention without overwhelming the composition.
This technique, inspired by Karen Margulis’s masterful use of focal accents, promises to add depth and intrigue to each piece. It’s an approach that embraces both spontaneity and deliberate color theory, bridging the gap between chaos and control in abstract expressionism.
Ignore the "faded" triangle on my color wheel. I must have left it out in the sun and it bleached... Damn, Damn Damn! ;)
